Art with Gianfranco Meggiato is not just contemplation, but above all, action.
The Venetian artist’s sculptures transform into catalysts of reflection, instigating the thoughts of observers who find themselves in dialogue with his works in public spaces.
The artist embraces this vision, turning urban spaces into stages where his large installations become the main actresses, transforming art into a universal language.
This approach to abstract sculpture sees a close connection between the ancient and contemporary, highlighting the ability of art to convey messages through time.
The Venetian artist’s sculptures transform into catalysts of reflection, instigating the thoughts of observers who find themselves in dialogue with his works in public spaces.
The artist embraces this vision, turning urban spaces into stages where his large installations become the main actresses, transforming art into a universal language.
This approach to abstract sculpture sees a close connection between the ancient and contemporary, highlighting the ability of art to convey messages through time.
Let’s get to know the artist better, letting him tell his story by answering our questions...
Your first contact with art?
I am Italian, I am Venetian, I was born in a city of art, I breathed art from a young age. As a boy, I aspired to be an artist or to work in the art world.
When did you realize that art would become more than a passion and turn into a profession?
I was a restorer of art pieces, and there was a moment when it was no longer enough for me to handle works from the past. I felt a profound need to work on something of my own.
Your first work?
My first work was a stone barrier made of Vicenza stone (50x50 cm, 8 cm thick), entirely perforated, designed and created by me at the State Institute of Art I attended. It was presented at a collective exhibition by the Municipality of Venice in Piazza San Marco at Bevilacqua La Masa. I was 16 years old.
How do you choose what to depict?
I never make a preliminary drawing or sketch but go by instinct, spontaneously. When I arrive at the studio, I like not knowing what I will do. The inspiration comes gradually as I start modeling the warm wax.
If you could meet an artist from the past, who would it be and what would you ask them?
I would ask the young Michelangelo what emotion he felt when he finished David and then saw it transported by the Florentines in front of Palazzo Vecchio as a symbol of the city.
If you met yourself at 18, what advice would you give?
I would advise never to give up on your dreams, no matter what, because only by realizing yourself as a person can you aspire to happiness. It takes courage, though, to try to be happy. Often, the fear of leaving your comfort zone prevails, and you end up living a life you do not like.
What is art to you?
Art is a manifestation of infinity that connects with the souls of often unaware people.
What is sculpture to you?
Sculpture is my life! I cannot go too long without modeling the warm wax, without smelling its scent. I feel an almost physical need to create. Sculpture is part of me; I could not live without it!
How important are light and color to you?
Light is fundamental; sculpture is made of light. The color of bronze symbolically recalls energy and fire, as if I imagine my sculptures made of pure energy. The white I use for many monumental works is a non-color and refers to the ethereal and spiritual aspect of my creations. I use red occasionally to highlight the character of certain specific works, such as Anima Latina made with Ferrari red.
June 3, 2024
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