SAURO CAVALLINI: Monumental Visions of Movement, Humanity, and Peace

At Oblong Contemporary, we are delighted to present a curated selection of sculptures by Sauro Cavallini (1927–2016), one of Italy's most significant post-war sculptors whose monumental works continue to shape public spaces across Florence, Monaco, Strasbourg, Genoa, and beyond.

Cavallini's artistic language is unmistakable. Through fluid, elongated figures and dynamic compositions, he transformed the human body into a universal symbol of movement, emotion, freedom, and spiritual aspiration. His sculptures seem to defy gravity, capturing a fleeting moment between balance and flight.

Throughout a career spanning more than five decades, Cavallini received international recognition and created major public commissions, including Monumento alla Pace (Monument to Peace) in Florence, Inno alla Vita (Hymn to Life) for the Council of Europe in Strasbourg, Monumento a Colombo (Monument to Columbus) in Genoa, and Fraternità (Fraternity) in Monaco. His works have been exhibited at prestigious institutions and international exhibitions, including the Salon d'Automne in Paris, Palazzo Strozzi, the Academy of Arts of Drawing in Florence, and the DIFC Sculpture Walk in Dubai.

Today, collectors have the rare opportunity to acquire important monumental sculptures directly connected to this extraordinary legacy.

Among the highlights is Scultura per la Pace (Sculpture for Peace) (1976), a unique bronze inspired by the celebrated Monumento alla Pace (Monument to Peace) in Florence. A powerful composition of intertwined figures, it embodies Cavallini's lifelong commitment to harmony, dialogue, and collective humanity.

Equally significant is Amore Universale (Universal Love) (1974), a monumental bronze that exemplifies the artist's ability to transform human relationships into elegant, almost musical forms. The work has been exhibited in major public exhibitions across Italy and remains one of the most iconic examples of Cavallini's mature style.

Collectors seeking works associated with the artist's international recognition will appreciate Ballerina (Ballerina) (1979), a striking sculpture exhibited at Dubai's DIFC Sculpture Walk, introducing Cavallini's dynamic vision of movement to an international audience.

Other important available works include Natura (Nature) (1973), Ginnasta (Gymnast) (1974), Passo Multiplo (Multiple Step) (1984), Icaro (Icarus) (1983), Pas de Deux (Pas de Deux) (1981), and David (David) (1975), each demonstrating Cavallini's remarkable ability to fuse figurative tradition with modern abstraction.

Alongside these monumental sculptures, a refined selection of smaller bronzes and collector editions offers an accessible entry point into the artist's universe. These intimate works retain the same expressive energy and poetic movement that define his large-scale masterpieces.

More than sculptures, Cavallini's works are enduring statements about humanity, resilience, beauty, and hope. Their presence in public collections, museums, and historic urban settings throughout Europe confirms their lasting cultural significance and continuing relevance today.